Fog
by Robert Lietz
Bands of dawn fog cut the chino stalks width-wise, turn lemony, dissolve like the
half dream, such as the stars had been, and the chaste grove, sizzling with
cardinals. My daughter gathers her flute, her keyboard, whispering. Coaxed by
fox-long further fog, by harvest hues to day-labors, I count off the dream steps,
putting a farm-home orderly, storm-windows down, winter-sealing the house
against the promise of first frost, the plastic heat-shrunk to frames another season.
I bless this ordinary North, bless these vegetables steaming at the tables edge, and
after, by starlight chill and dinner's end, feeling the dream's claim, my wife at
solitaire, I see the woman's face again, my shockingly small, stroke-victim old
lady, sheets pulled to chin, the World of her pain stored in that chrome-railed bed,
and I, unnamed, already a blur among the atoms at that whirling rim , set off in
my resentment at her dying.
A larger roar than listening shook me then, than currents shaping up a world, than
news of butcheries, spills of blood and of blessed water, the lifetimes of the human
haunting the oldest shrines: I imagined waves at work, convection molding deep
space, worlds a living Christ comes to, for love or touch or rescue, such as the
stars, the moon had been, dropping into fog, the fog breaking away to this collage
of rural boxes.
I mean to tell them last night's dream, my grandmother's parlor over Park, this
uncle of my mother's I cannot remember meeting, 1945, and I, already lost within
the flurry of my questions, waiting for the old man, and waiting for the lady
bearing me. Would I attempt to spare these 2 their later suffering, his heart attack
put off giving up a habit, her stroke by diet and walking more? Or in my silence
fail to urge him on the offer from New York, on the bullpen one more season, the
idea of me, of homecoming, 1945, fogging the dresser mirror in the bedroom off
the hallway, their work a festival set asway, a film seen through to holidays and
grid-irons, to the kids they'll bear like sufferable rebuttals?
Lives I liken to my own conclude in corporeal assent, leave me to this waking,
such as the stars had been, the ticking of gut had been, 1945, that binary gateway
to these re-tellings of their story, and the tellings squeezed, the narrator,
unprepared by his rehearsals, whispering, so not to wake the sleepers, brought
from shore-mists home to fogs reopening on a planet, aching over beach stones up
that wave-redrawn coast, where the last of stars, the last moonlight will have
dropped away
through fog.